Mixing Art with Wine

Do you want more than wine to tempt you to the cellar doors of Victoria’s wineries? Food is becoming an increasingly important attraction: from farmers’ markets to award-winning restaurants, gourmet food offerings could be critical factors when we are overwhelmed by choice. In more recent years, art was added to the sensory delights drawing us into the state’s wineries. We would all love the idea of visiting a vineyard in the yarra valley, but I guess we could settle for wine at exhibitions and cafes too.


Needless to say, it isn’t all about the bottom line, particularly at the handful of wineries, which invest significant funds and space into exhibitions, like the $20,000 yearly Montalto Sculpture Prize, which started in 2003.

Mornington Peninsula vineyard Montalto includes a cafe, restaurant and a severe sideline in olives. However, the sculptures around the property are a dead giveaway that owners John and Wendy Mitchell are also serious about art. Many sculptures they’ve bought and previous winners of the award are joined for a couple months early annually by fresh contenders. The 2009 winners were announced at the exhibition opening on February 15. All entries remain on display until April 26.

Even away from the display period, the land is a fascinating menagerie of sculpture: from the car park, to the yard, beside the vines, on a gently sloping hill and scattered in wetlands. These daring, often substantial modern works provide inspiration and visual pleasure – not to mention relief from sticking your nose into still another tasting glass.


Even though it is easy to spend a couple of hours enjoying the diverse delights of Montalto, up the street that the silent elegance of Lindenderry is put up for longer visits.

Weddings, corporate events and couples staying for the weekend will be the focus but a wine tasting or dinner in the restaurant is all you will need to admire the view across the vines and original artworks. Lindenderry’s collection of 20 works are scattered around the public areas. These include a large outdoor sculpture by Peter Cole, who mounted a substantial solo exhibition at Lindenderry late last year. Such temporary exhibitions are anticipated to be a regular feature in the home but, in the meantime, the permanent collection is well worth a look.

Five Sons Estate

Not far away is your family vineyard Five Sons Estate. Artworks provided by Mornington’s Gallery 1 grace the walls of this large, airy, casual dining area, where shared Mediterranean-style platters are served for weekend lunches.

TarraWarra Estate

At the other end of the winery and art scale are cafes in the Yarra Valley. Directly across from the wine bar, cafe and tasting room is Australia’s first important privately financed public art gallery. Founded in 2003, TarraWarra Museum of Art is the gift of collectors Eva and Marc Besen, whose interest in Australian art from the 1950s to the present is reflected in the works on show. The permanent collection includes artists like Arthur Boyd and Fred Williams, while temporary exhibitions embrace younger generations of musicians.

The biennial isn’t due again until mid-2010 but important temporary exhibitions are introduced year-round, like the current Mythology And Truth: Contemporary Aboriginal Art From The Gabrielle Pizzi Collection. The gallery is a substantial, high-ceilinged oblong. The major sweep of partitioned rooms leads to a floor-to-ceiling window offering a grand view of vineyard and hills. The view is also admired from thinner windows along a corridor that runs the length of the building, overlooking more hills and vines, in addition to a small lake.

Evelyn County Estate

Nevertheless from the Yarra Valley, Evelyn County Estate hosts a new exhibition every month in its restaurant. Between the furniture and fellow diners it can be tricky to appreciate what’s on screen, so consider timing your trip to coincide with the meet-the-artist occasion on the first Thursday of every month (5pm-7pm). Complimentary drinks and canapés are available, however bookings are essential.

Baileys of Glenrowan

Another high-country winery with artistic leanings is Baileys of Glenrowan, established in 1866. Its Bundarra Gallery has seasonal exhibitions by local artists, in addition to a permanent display of heritage photos of the winery.

Stefano’s, the wine label of famous Mildura chef and restaurateur Stefano de Pieri, is made using grapes gathered from the area and South Australia, in which the last product is manufactured. So don’t go searching for Stefano’s winery – though only around the corner from his restaurant you’ll discover his basement door, pub and Gallery 25.

The gallery is an artist-run space managed by Stefano’s group with La Trobe University, and presents a new exhibition every four to six weeks. It is among the first commercial galleries in Mildura. so provides a brush with modern art in the region.


Your Art Exhibition Checklist

This is a checklist of things you will need to consider when putting in your art show. If you take some time to prepare up front your display will come across as slick, well organised, and professional, which then gives prospective buyers of your artwork confidence.

Getting your art ready for the series

  • Photograph your art work. Once it gets bought then you may never see it again!
  • Frame your art if required. Allow a lot of time for your image framer to perform a high quality job.
  • Make certain all your artworks are acceptable for hanging or display with strings and D-rings attached.
  • Wrap your own artworks up ready for transport. Purchase bubble wrap in bulk lots from a packaging wholesaler or supplier. Don’t buy modest rolls from your office provider, or you may pay too much.
  • Blankets are an affordable option but not as neat.
  • Organize a truck, hatchback or station wagon to transport your functions.
  • Certificates of Authenticity. Create one for each artwork. Have a unique rubber stamp made up to use with the certification. It looks great and buyers love them.


  • Consider bringing in different companies to sponsor your own exhibition.
  • Contain them prominently in your exhibition catalog.
  • Request businesses to host lucky door prizes.
  • Be sure you mention that the patrons clearly for every prize draw they host.
  • You might even have the ability to find sponsorship for catering.
  • Organize goodie bags for every exhibition attendee containing sponsor leaflets, any freebies along with your business card.

Organize a photographer

  • Organize a movie camera operator
  • Contact media photographers and ask them to come along

Hanging your display

  • Quantify the exhibition space and plan how you’ll hang you artworks.
  • Does the space need extra decorating in some way to give it extra pizazz?
  • Be sure that you have hanging equipment acceptable for the space you’ll be displaying in. You might need to research the space closely to work out how you’ll hang the works if it is not a gallery with integrated rails.
  • In certain spaces without apparent wall hanging chances you might need to employ in racks from an exhibition hire company.
  • When you send your artworks into the place, lean them against the wall right underneath where you’ll be hanging them, so that you can get a feel for the design and your hanging supporters will find a clearer idea about what they’re doing.

The Entertainment

  • What nibbles will you supply, perhaps some food from a fresh food store for healthier clients?
  • What beverages will you provide? Don’t forget to provide both soft and alcoholic drinks.
  • Hire in professional caterers, if your Art exhibition will be in Melbourne, there are some fantastic suburbs which do catering, such as catering in Hawthorn in case you have not got time to do it yourself.
  • Hire expert wait staff or find some friends in to help with serving.
  • Do you want musicians, a DJ or at least someone to alter a carefully chosen CD once in a while?



  • Produce lables for each artwork containing the name, price, size and medium.
  • Attempt to have artworks priced in a variety of ranges, so that everybody has an opportunity to purchase something.
  • Get some red stickers for artworks sold at the evening.
  • Attempt to have some artworks in which are hanging but have been presold before the opening night with red dots on them. It gives people confidence and motivates them to buy.
  • Appoint sales assistants and let them understand how to process sales

establish a system for receipting. This could be as straightforward as a carbon copy receipt book.

  • Keep details of all costs handy to your sales assistant.
  • Have a till or cash tin and keep it secure
  • Provide credit card processing centers in case you’re able to. Individuals are more likely to impulse buy if they could whack it in their charge card. If you are seriously interested in this business then you need to organize a merchant account with a bank so that you can process credit cards.
  • Be ready to offer packaging and shipping costs. Some people don’t buy unless they know these things ahead. Your cargo company should be able to offer a table.

Your confidence will inform the prospective buyer that your art is worth what you’re asking. Do not forget to thank everybody who was personally involved in helping to put on your display.


The difference between Hamptons and coastal style

Want the beachy look to your home but not sure what design is for you? Are you boho chic, trendy Hamptons, classic nautical or tranquil coastal? And what does all that even mean!

We are going to dive right in and specify what these interior design styles are all about, so it is easier for you to shop the look you love.

What is Hamptons?

You may be knowledgeable about the Hamptons as the vacation haven of the rich and famous. We’re talkin’ the likes of this oh-so-dramatic and literary Serena Van Der Woodsen. (And possibly the Wayans brothers in White Chicks — classic!)

The Hamptons is a beachfront community on Long Island, characterised by beaches and hamlets, enormous houses, and garden parties thrown by New York’s elite. What a life!

Hamptons décor and design is all about that brilliance, but in a clean and contemporary way. Believe eggshell white walls, lofty ceilings and white-washed wood alongside luxury buttoned upholstery and beautiful chandeliers… In other words: simply divine.

It is a style encapsulating the relaxation of a beach house, but dolled up with luxury finishes. It is the best of both worlds. If you wish to emphasise the ‘chic’ in coastal chic, go for the Hamptons look.

What is Coastal?

Coastal is such a general term. It describes everything we love about sunny summer days and does not care if you track sand throughout the home. Coastal is made for living in. Coastal is chill.

It is the relaxed, boho-hippie small sister of Hamptons style. Contrary to Hamptons, coastal is much more of a feeling than only a style inspired by location.

Coastal style signifies a simple colour palette working with sea and sand hues, natural textures such as shell, rope and rattan, and the raw, un-finished allure of reclaimed timber.

A tiny nautical-navy blue, a small white-washed timber… coastal is as beachy as you would like it to be! It’s flexible and modern, allowing for a whole lot more individual character than classic Hamptons.

3 Design Tips for a Hamptons Home

If the south-island elegance of the Hamptons is calling your name, follow these vital tips:

  1. Paint it white

Begin with a pure white or off-white foundation and build from there. Hamptons design is all about clean neutrals, and layering with lighter colours and textures. Do not be afraid to go white-on-white with Hamptons!

  1. Work with natural feel

Just because it is luxe, does not mean Hamptons should forgo charm and texture. Add choice pieces that showcase natural, coastal appeal: jute rugs, linen throws, and buttoned cushions are best for bringing a softer touch to your area.

  1. Introduce upholstered pieces

Go glamorous on your furniture staples, such as couches and armchairs or your bedhead. Upholstery with button-back design is timeless and on-trend with Hamptons design; ideal for bettering the everyday coastal look.

3 Design Tips for a Coastal Home

Create a cool, calm home harbour for yourself with these quick tips for a modern coastal appearance:

  1. Balance your blues

Normal coastal style signifies a palette of blues, from heavy navy colours to marine tones and pops of aqua or powder blue. But do not go over the top. Keep it natural.

  1. Collect unique décor accents

Shells and tumbleweeds can provide natural character to your décor. Have a stroll along the beach and see what beauties you can find! For bigger furniture, opt for reclaimed timbers for one-of-a-kind charm.

  1. Let in organic light

Throw back the curtains and open the windows! The coastal life was designed to be lived fully so adopt the freshness of the outside world. Adding string lights or candles also add boho-bonfire ambience once the sun goes down.

So there you have it, some great tips to achieving the exact beach theme décor you’re after in your home, whether you want the glamour and glitz or would prefer a laidback and relaxed feel.

The Art of Toilets

Ever since 1917 when Marcel Duchamp turned into a urinal upside down, signed it with the fake name “R. Mutt” and called it art, bathrooms (and toilet seats) have had a special relationship with the art world. Just think, you do not need to worry about anything going wrong with your toilet, such as having a plumbing emergency, instead, you get art. An example of this is Willem de Kooning’s painting on a used toilet seat, or perhaps Jonathan Hartshorn, who put a number of his drawings in a toilet at MoMA and then had photographed them for a performance artistic piece called “Down to Nature.”

However, the New York-based Art Museum Toilet Museum of Art (yes, that is a palindromic mouthful) has assembled a collection of photographs of toilets, baths, and urinals from fine art museums across the world, and is currently inviting submissions from audiences. In case you were wondering, the “museum” exists only online, and its own website gently pokes fun at the Metropolitan Museum of Art, brazenly integrating the Met’s famous “M” logo and the layout and appearance of the Met’s Web site. The art museums have demonstrated an evolution over time, as the toilet becomes modern it often turns more organic in line. The bathrooms now in the museum, are completely organic as they do not need to be flushed and the water does not have to be turned on – no need for gas installations. You touch as little as possible. But, in art terms, there is still something strong and emotive from the images of the urinal and toilet with the many various masterpieces being displayed in the museum.

Art and bathrooms have converged a lot over the past twenty years. This past year, Davis & Warshow, an 83-year-old New York retail and wholesale distributor of bathrooms and other things, made a showroom to display its products as artworks in a gallery to be shown. Folks have commissioned custom urinals from musicians for as much as $10,000, and we are expecting the price of some to rise with toilet art becoming popular in many countries around the world. In 2005, the Queens Museum of Art put up an exhibition by Sa’dia Rehman that began a discussion about one of their most private acts, as well as the ways immigrants and their children bring their habits with them. Baths, visual arts, and literature were united a couple of decades back at a gallery exhibition inspired by the work of this author J. D. Salinger. Now, New York City remains one of the largest museums offering funding for bathroom art, despite Los Angeles’s recent effort to catch some of its glory and show off their own.

Some toilets clearly trumped the others in flourish as the New Museum arguably had the spiffiest, spunkiest, and many colourful and trendy bathrooms of the bunch. They have a glowing textile-like floral design in blue and orange. The toilet seats and urinals have intensely coloured sections, from the muted palette of the museum, to the bright and bold; as the museums own description examines it. For the glam setting, we could thank Jerome L. Stern, a retired venture capitalist whose six-figure present to the museum helped the world of art and bathrooms. Thus, the museums four public baths; the first items to be called from the museum’s $50 million capital campaign are christened the Jerome L. and Ellen Stern Restrooms.

As Mr. Stern said at the time of the opening about his present, “I am 83, and I thought it’d be wonderful to see my name in a location where I will devote a whole lot of time.”

The Art of Home Extensions

As property prices creep up higher more people are opting to renovate and extend their home, as opposed to moving out. There are a number of practical advantages for this approach, especially if you enjoy living in an area or have children settled in the neighbourhood schools. There is also the fact that selling and buying property has a whole range of related costs above and beyond the price of a home. This includes agent fees, stamp duty and also the hassle of packing and moving your home/life. Home extensions are an art in themselves, elements such as deciding where to put the extension or whether you want to create a completely unique space that shows the old from the new are just a couple of things to consider. Here are 6 pointers for you started on your home extension journey.

Practical Practicalities

Before you even get started on the nitty-gritty of a house extension project you need to carefully look at the concept. Including practicalities like the economics of this project, where you’re going to reside during the building and construction phase and how much value the extension may add to your property. Also, take time to think about anything in your own life that may get in the way of a smooth running project.

Budget and funding

As soon as you have nutted these broad issues out it is time to get down to the nitty-gritty of working out the total cost your project will be including getting plans detailing the size and scope of the build. For these, you need to work with an architect or building designer. A builder can then estimate more accurately the cost of the job. In addition, you need to build in a contingency (10 per cent – 20 percent) for any unforeseen costs or a highly probable scenario.

Integrated Design

The design of any extension should be considered as an essential part of your existing house’s structure. In theory, this means it should seamlessly blend in, making use of the same materials to keep a sense of flow and continuity. However, if you want to create an abstract piece, just like an artist creates a masterpiece on a canvas you are also able to. If you are considering a second storey extension be aware that this can be significantly more costly and complex from a construction point of view. Architects or building designers can supply you with comprehensive plans that have a breakdown of these materials to be utilized and an idea of the overall costing.

Architects and Building Designers

Architects and building designers have been tasked with drawing up comprehensive plans for home extensions. They have an intimate knowledge of the structural issues involved as well as the applicable regulatory requirements. These professionals are also well versed to give you sensible advice on the configuration of your expansion. This will be based on lots of variables, such as your lifestyle, your current floor plan and the total amount of space being generated by the extension. Developing a report with your architect or building designer is vital. This ensures that you’re on exactly the same page sharing the same overall vision.

Sourcing a Builder

It goes without saying that a quality builder is worth their weight in gold. When you are sourcing a suitable candidate for your house extension project you want to ensure that the builder specialises in extensions. And much like your relationship with your architect, you need to feel comfortable working with your own builder. Including getting multiple quotes, testimonials from clients and viewing examples of their latest work. Other pointers include signing up a thorough contract that details their duties throughout the course of the build.

Red Tape

It is a maze of regulations and planning permits around the area of construction, mostly originating from the Building Code and the local council. A planning permit is the very first step in this procedure, a document that authorises any builds. Before applying for this it is also a good idea to speak to immediate neighbours that will be impacted by the extension. Besides being a courtesy, you also need to make sure that they do not object to your proposal as this could jeopardise the whole project. Remember to always use licensed, registered professionals and trades. They are very likely to do a much better job and your project will likely conform to regulatory standards.

Virtual Reality and Van Gogh Collide

Museums are looking the best they have ever had, thanks to the way technology is revolutionizing the use of art. According to the American Alliance of Museums, U.S. cultural associations see more than 850 million visits annually – more than most athletic events – and represent roughly $21 billion in direct economic activity. Those impressively large numbers might be poised to increase, as museums improve their technological art amid a boom in cellular software and offerings designed to improve the experience of tech-savvy visitors.

To be clear, many art traditionalists are quick to criticize the integration of virtual reality and Van Gogh. However, museums are creating a surprising discovery: technology is not hindering the appreciation of physical artwork. In reality, museum attendance has skyrocketed more than ever because computers and iPads entered the art realm, some art and IT consulting experts in Melbourne say. It is allowing visitors to experience art in a new way, while bringing displays to other people who may never even set foot at the institution in any respect.

So why would not people be tempted to abandon museums entirely in favour of scrolling Instagram? It boils down to bodily experiences which make art more memorable – just like with any relationship, according to the founder and CEO of Artsy, the world’s largest online selection of art. Carter Cleveland recently said that the physical experience of art is becoming more like online dating. He says that we would all like to meet someone in real life in the end, but it is spurred by internet platforms.

For certain segments of the population, museums are always highly appreciated, said Susie Wilkening, a spokesperson for museums in Wilkening Consulting. But that is only a sliver of the populace. For a larger chunk, museums are a means to an end; they are used for family times or to meet a trend. That is where technician comes in, Wilkening said. It caters to the people on the fence, making museums look like a simpler choice.

Jane Alexander, chief information officer in the Cleveland Museum of Art, said that the best use of electronic additions to galleries would be not to make you aware of the technology, but to make you conscious of the artwork. She explains that it is about putting art at the forefront. It is about better practices and thinking about how it can be a toolset to get people into the group. She added that how do people use our collection to bring art into their daily lives?

The museum is the home of the ArtLens Gallery, including high-tech equipment which surpasses barriers like eye-tracking, movement detection, facial recognition and IT managed and network services in Melbourne of attracting art fans. With an application, visitors can read about the art, favourite the displays they like most and make your own tour. Alexander said that their aim is to get people into the galleries, and give them the tools.

Spaces such as the Gesture and Expression display allow visitors to attack a pose like the characters of a painting, while a gaze tracker shows where a visitor focuses on looking at a work of art. The six displays feature 14 matches in total, allowing everything that successfully operated in its agile testing managed services from changing the expression of characters from paintings, to decoding symbols. It isn’t about digital for digital’s interest. Alexander said that this is all about seeing an object which might have just been 4 feet high, and seeing it enlarged and how it was created. “It makes [people] want to see the object, and they’re left in awe. ‘I cannot believe this object,’ they say, ‘it’s so beautiful.'”

While the Cleveland Museum display is fairly new, even long-standing museum giants are integrating technologies and software testing consulting services, and receiving a positive reaction. Ken Weine, the museum’s chief communications officer, in the Metropolitan Museum of Art in New York City, claims that presence is more powerful than ever, with over 7 million people in 2016. The Met recently digitized over 380,000 images from its collection, making art available to download on any computer, anywhere. Rather than simply promoting computer-screen usage of art, the change to digital sparked more museum interest than ever. Weine described it like opening up a new kingdom, merging the technology savvy with the art fanatics.

People enjoy being in a common space with their friends and family, and seeing others carrying in most sections of culture and art, according to Weine. But they also appreciate technologies. People today enjoy the picture of Washington crossing the Delaware as they cross the road. It is our job’s duty to construct the ideal experience for these two groups. For those who don’t have the resources to manage a visit to the museum, technology goes beyond adding trendy gadgets and gears. Tech can play the role to incorporate museums in the wider community. It introduces art – through iPads in public parks or videos in taxi rides, such as – to folks who would not otherwise have the time or resources to go to a museum.

“How do we take museums to … low-income people?” Wilkening asked. “Why don’t we have museums in laundromats, grocery stores? Bring a project to a food bank? It’s low stress, easy, and welcomed.”

Google Delves Into Fashion

An engineer at Google sat in his Manhattan office just recently, describing the tech company’s most recent venture into fashion, We Wear Culture. It is an internet archive which will appeal to everyone, he said, including his Indian mother, who will learn about the saris she wears or about the sales on shoes online, and lovers of what he called “high couture”, a phrase which the engineer only recently learned since tech and fashion have rarely met in the past, and never at Google.

His colleague On the job, Kate Lauterbach, broke in, gently correcting him “Haute couture.”, the engineer responded to Kate stating that if she indeed, was a huge fan of couture, then she may actually find the most iconic pieces on display plinths in museum and exhibition spaces.


‘We Wear Culture’ is a growth of the Google Arts and Culture project, an internet platform which Amit Sood developed in 2011 with high-resolution pictures of art from around the globe. The newest fashion archive comprises over 30,000 apparel items from 180 cultural institutions’ exhibition installations such as those at the Metropolitan Museum of Art in New York and the Victoria and Albert Museum in London, such as Coco Chanel’s little black dress and the red heels worn by Marilyn Monroe.

Until recently, the guy who assembled this virtual paradise for fashion lovers held a dim view of the fashion world, it was never an interest of the engineers, and stored it away as a subject for the elite and highly talented, he wasn’t even aware of Chanel’s black dress, let alone any of the current trends and history in fashion.

In his attempts to bring himself up to speed, Mr. Sood, who’s in his late 30s, turned into a few of the industry’s heavyweights as his guides. He embarked on a two-hour meeting with Paul Smith that happened in a ‘curiosity room’ the designer asserts in his London office, to Amit’s surprise, Paul Smith was actually ecstatic with the ‘We Wear Culture’ idea, stating that fashion most definitely has an online presence, but the digital content is scattered across the web in an array of unstructured data that desperately needed some organisation. Sorting data was something Amit knew plenty about.

Natalie Massenet, the creator of Net-a-Porter, told Mr. Sood he couldn’t simply upload amazing photos of clothing as he’d planned; he needed to see garment workshops and talk to curators to find the stories behind their creation, and, as if making a pilgrimage to the Mount Olympus of style, Mr. Sood met with Anna Wintour, who steered him toward her friend Andrew Bolton, the head curator of the Met’s Costume Institute.


Mr. Sood has come a long way. For instance, he now knows what a dandy actually means, it originates from this British man named Theo Blu-mel or something he said.


For all his charming bumbling on the topic, Mr. Sood could be more of a dedicated follower of fashion than he lets on. He has gone to Tokyo 14 times by his count and can name-check Japanese designers such as Chitose Abe and Junya Watanabe.


At a splashy party Google recently held in the Met to unveil the We Wear Culture archive, Mr. Sood wore a linen blazer by Junya Watanabe, topped off with men’s dress shoes from the British legacy brand Edward Green. He also managed not to break into hives when he conversed with Ms. Wintour. Using the Archive he helped produce, Mr. Sood was able to immerse himself in fashion’s details. Most recently, he analysed lace and discovered that lace isn’t just for women, men can wear lace too.

Why you Should Consider Laminated Wood

laminated wood is a low-cost and practical method of recycling exactly what would otherwise be thought about as wood waste. Numerous layers of wood are bonded together, and the layers are then cut into either slabs or sheets. These slabs or sheets are then utilized for a range of functions, consisting of making furnishings, stout floor covering, and this kind of wood is frequently utilized in truck beds and vans also. Plywood is a typical example of laminated wood, though it is not the only item developed through the wood laminating procedure.laminated wood, timber, art


Laminated wood is made from lots of thin strips of wood. Frequently these strips are cast-offs or blended from a range of various kinds of wood. These strips of wood are thoroughly sanded down so that the surface areas are smooth, and after that they are glued together under pressure so that a single, cohesive board is produced from the mix of woods. If plywood is being made, then the grains of the strips will be at best angles to each other, whereas for other sheets of laminated wood, the grains of the different layers will be parallel to one another. For boards that need to be more structurally sound, more layers are contributed to increase the density.

Laminated wood has a lot of benefits that standard, strong wood does not. For example, laminated wood is resistant to warping or twisting due to its production procedure. Laminated wood can be made from wood or softwood depending upon the requirements of the client, or from various sorts of wood to mix and match their strengths (such as the external layers of a softwood for a specific appearance with the inner layers of a wood for strength). Laminated wood is likewise susceptible to coming apart if the glue is exposed to wetness, bugs, heat or any of these mixes.

Despite this laminated wood has an amazing level of functionality and is very popular in larger modern art installations. While too much can be overkill, laminated wood can be a fantastic material to work with especially for more abstract concepts and execution. Some of the best projects I’ve seen have utilised laminated wood to emphasise architectural timbers and create contrast with other materials

Why Do People Buy Art

Have you ever wondered why art has become such a major cultural aspect? It has been this way since the beginning of time as we know it. It is true that every generation comes up with its own flair in style, though all ages and tribes to our knowledge have a reverence for art. Everything from digital art works to conventional art is becoming more and more fashionable.

In spite of everything, aside from water, clothing, gas and food art is not a necessity. When it comes to the majority of people, art is something purchased with a decline in disposable income.

Why is this so? It so happens that there are a lot of reasons:

Most of the time, people go and buy art to make their homes look better. A plain white wall could become a gorgeous mural of colors when art is mounted to it. Something as simple as a sculpture could bring an entirely new look to a boring corner. Any room or office building can be spruced up with the appropriate piece of art.

There are those who buy art to portray their prestige. Can you picture flaunting a newly found Picasso original to all of your friends? Can you imagine all the gossip and respect you would be treated with since everyone would perceive you as being an individual of class and prominence?

Those who just buy art for its splendor are perfectionists. As soon as they glance upon a masterpiece in art, these individuals are transported to another place entirely. They are virtually capable of gazing upon the same piece of artwork for days at a time, and following each instance, they leave it behind with a new understanding of its significance.

Naturally, hiding that plain white space in the wall is one of the most recurrent reasons for people buying art. This happened to be the top reason for people to buy art in the communities of which I have lived in.

There are a lot of hobbyist art collectors who purchase an artist’s original artwork as a possible venture for investment. At one level, this is a bit like taking a chance at the lottery, particularly while citing compositions from new, or unidentified, artists. Even as it is amusing, while you pick up on more information about art, it could get to be very addicting. The positive side to this is that your investment potential will get better while the knowledge you have gets better, in conjunction with thorough studying.

Was there ever a time in which you bought a piece of art just because it seemed to match your own personal characteristics in some way? It is almost like the one who made that piece of artwork is speaking to, or for, you. Somehow, it just meshes with you. This can happen, even when you have never felt drawn to artwork previously in your life.

Finally, there is a type of art collecting known as the I wish I had said that category. This is basically where an artist has articulated a thought or feeling in such a way that it leaves you wishing it had been your own idea. However, having it for your own collection is the next best thing. I personally believe that a lot of people who find themselves attracted to the artwork of a more political nature fit into this group.